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I did not write it, but I had a great time with the Austenland by Shannon Hale. The title has been out for four or five years in English, and I had heard about making Austin's research, but the pitch did not convince me at all. And then there are the few times all the young Charleston editions and translated many tickets have flourished on the subject. One in particular, at George comforted me in my belief that I would never read it. But if there's metaldyne one thing that I'm good, it's change your mind, when suddenly I felt a craving I turned Austin Fernando (my lovely Digital Reader) and I dove into the universe Austenland 's. What in the note George had scared me was that it seemed to say that the book is not really about Jane Austen but the fascination that the character (whose name is Jane too, as c ' is convenient) principal owes Colin Firth as Darcy in the BBC adaptation of 95 (which is, well she fantasizes about him, but the author does not confuse the two mediums). I've already confessed, but Pride and Prejudice is not my favorite Austen, and adaptation of 95 does not fascinate me at all. Knowing this, one can understand a book that talks about the obsession for the interpretation of Colin Firth does not seem super exciting. So I was relieved when the dice first pages the author presents his subject.
"That Pesky movie release Was the culprit. Sure Jane HAD first read Pride and Prejudice When She Was Sixteen, read it a dozen times since, and read Austen novels --other at least twice, except Northanger Abbey (of course). Purpose metaldyne It Was not Until the BBC out a face on the story Those That gentleman in tight breeches HAD stepped out of her reader's imagination and Hopes Into her nonfiction. Stripped of Austen's funny, insightful, biting narrator, the movie Became a pure romance. And Pride and Prejudice Was the MOST stunning, bite-your-hand romance ever, the kind That Stared straight Into Jane's soul and made her shudder. It Was embarrassing. About did not she really want to talk about it. So let's move on. "
The film is pure romance for her, despite all that is the book, and this clear differentiation has allowed me to appreciate the work. Especially since the author slips regular and agreeable to others books Austen allusions that sounds forced or induced with large hooves. Shannon Hale's writing is fun, fluid and made me think that Melissa Nathan, even though it does not expect its level. I often smiled metaldyne sneered see by reading the thoughts of Jane. It's witty and sometimes absurd. A great success. We also have the right to more extensive passages on the role of fiction in his life, as in the novels of Austen's satire of society (the falsehood of Austenland here) is present (though obviously not the same level but it was anyway not matter to compare). I loved seeing Jane have trouble metaldyne getting into the skin of his character (as the pitch of the story is that it arrives in a kind of special theme park to play Jane Austen role in costume metaldyne and all the patatra), I know it would have been my case. I mean, I did not need to put me on the head a deerstalker or donning a dress empire to feel close to Sherlock Homes or Austen. Pretend that does not seem relevant to the final and I liked to see that it was not obvious to Jane. But obviously one of the things that pleased me most in this book is the romance. After all it is the theme of the stuff. And it's a fun romance, lightly. This is not a contraption that broke my heart and which I could identify myself, metaldyne but I found touching and funny. I liked to put myself in the shoes of Jane, and follow the twists of the last pages. I had the impression it was ages since I had not refused to see how many pages I had left to read (a little disturbing to not having a physical book in hand to the shot, and counting pages till the end) or just had a sour